Photo Vol. 142
Three rolls of my beloved Kodak TRI-X film across the streets of two cities.
Read MoreThree rolls of my beloved Kodak TRI-X film across the streets of two cities.
Read MoreStreet photography is hard. It challenges our observational skills, our sense of vulnerability and our ability to react at a moment’s notice, which is why it can be so rewarding to finally capture something that others may have never noticed and to walk away with work that can hopefully stand the test of time and be remembered.
Read MoreI have somewhat of a gripe with the modern, or perhaps digital, photography arena, to indulge in a gross generalisation. The digital photography arena and popular culture seems to have a predisposition towards insisting that if you are a photographer, you must want to be a professional.
Read MoreApologies for the enormous post this time. They should load quicker now. I have been shooting so much. This week I switched to full time manual on the street and I think I just levelled up.
Read MoreAugust is cold, well for a Queenslander anyway. I have my Leica M7 back now (about half way through this post) and it's working beautifully. You don't realise the effect a camera has on your shooting style until you are forced to use another, in this case a loud Nikon SLR. In the mean time, I've received my first large format lens, the Nikon 135mm f/5.6 in mint working condition. Still some weeks left before I can expect the Intrepid 4x5.
Read MoreFrom my perspective, to be a street photographer is to be human and to seek out humanity, the absurdity of it, the chaos of it, the irony, the elation, the fleeting and the ever present, from a man smiling with me in Kyoto while busking, to a little girl in the act of throwing a ball in a backyard, to the tale of two bins taking on an anthropomorphised relationship.
Read MoreI haven't touched my digital cameras in a while. TRI-X is bizarre and great and full of sand-like grain and I love it. My binder of negatives is growing, but I'm finding that some genres of photography I practice are better suited to high resolution colour raw files, so I've decided to pick up my Leica M again and use that for colour work where appropriate.
Read MoreI used to shoot extra frames just to make sure I was executing it right and getting the results, but over time I learnt to use other techniques to make my photographs in my head before I've even taken a single frame. I wouldn't have it any other way and have been applying it to my professional work.
Read MoreNow that I'm writing a lot more than simple photo posts, I decided to change the black and white street and documentary into a "volume" series so it could sit alongside my essays and other articles in a more discrete fashion. I started at 101 because there's already so much of this in the blog history!
Read MoreThis weekend has been full of street photography in the sunlit weather. I must admit, I've felt a little bit purposeless beyond just topping up the "body of work", but I've got some interesting pictures to choose from at any rate. At the end of the year, I'm thinking of printing contact sheets of all my B&W street photography to start selecting for a photo book, even if its just for myself and a few others
Read MoreYou know what? I may have to end up rolling up some of these weekend posts into three day bonanzas if I keep this up. I just tend to make photos on all three days of my (longer) weekend, so instead of pushing all my articles down from posting too many new B&W photo posts, I'll roll them into one sometimes.
Read MoreBit of random day in the city (again) shooting with Rocky's Summilux 35mm (again). It's a curious thing, this depth of field tool we have as photographers. As someone who uses a rangefinder with an separate optical view finder, I've tried not to rely on having shallow depth of field, but as I add the razor thin focus of the Summilux to toolbox again, I find its effect to have resonated with how I want photographs to portray their subject matter.
I think I'll have to go back to my own Summarit f/2.5 to recalibrate myself and figure out if I really would prefer to have the separation that is only possible at the wide aperture.
People looking at maps
People looking at menus
Arlo attacking Hannah
SAY CHEESE
When photographs don't portray the musical talents of a performer...
Rocky was kind enough to lend me his Leica Summilux 35mm f/1.4 lens instead of my Summarit f/2.5. I've really forgotten what it's like to shoot environmental portraits with such shallow and dreamy depth of field. I actually really missed it to be honest and may end up with one in the future to replace my Summarit.
Hannah
Breakfast with pa
Taj in a koala onesie
Jeremy and Taj
A wild Contax G2 appears...
The usual... Breakfast with Simon, Rocky and Aaron from the West End Camera Club then wandered into the city for some street photography, writing and catching up with folks. There was a protest rally on to fight for the rights of the asylum seekers and refugees over on Nauru.
I also took my Mamiya 7 out to shoot a roll of Kodak Portra 160 on for the first time.
Car had a boo boo
This ain't the country
Simon at Blackstar
My new Mamiya 7 rangefinder.
Portrait of Simon on the Leica Q
Simon taking my portrait on the Mamiya
Lots of people sitting today
Or going on an aeroplane?
Those ball things... Why?
Tryin' to get away from it all
Don't get me started. Good on them
Watching the protest get started
Exactly.
Mr. Fix It
Childhood dream car
Just a regular breakfast, bridge, city, street kinda day with Simon and Hannah.